| Title | Beginner | Intermediate | Advanced | Notes |
|---|---|---|---|---|
| 3-2-1: Designing Couture Tweeds (S) | X | X | X | |
| 4-8 Weave! (S) | X | X | X | Participants should have a rudimentary knowledge of both basic weaving terminology and computer use. |
| 4-8 Weave! (W) | X | X | X | Participants should have a rudimentary knowledge of both basic weaving terminology and computer use. |
| 8/2 Cotton – Versatile, Beautiful and Inexpensive (S) | X | X | X | |
| An Exaltation of Blocks (W) | X | X | X | Advanced Beginner to Intermediate and Advanced Weavers – have familiarity with drafting |
| Block & Tackle (S) | X | X | X | Adventure-seeking beginner through Advanced weaver |
| Bundle, Steam, Print! – Eco Print (W) | X | X | X | |
| Color and Design in Huck Lace (W) | X | X | X | Advanced Beginner to Intermediate and Advanced Weavers – must know how to warp a loom, trouble shoot loom problems, and repair crossed warp threads. |
| Color Theory From the Fringe (S) | X | X | X | |
| Crimp and Create (W) | X | X | X | Adventurous beginner and beyond |
| Crimp Cloth Primer (S) | X | X | X | Adventurous beginner and beyond with basic understanding of drafting |
| Cutting Loose with Tied Weaves (W) | X | X | X | Adventure-seeking beginner through Advanced weaver |
| Design Inlay Rag Rugs and More (W) | X | X | X | |
| Design Tricks: Moving Beyond the Recipe (S) | X | X | X | |
| Designing Warp and Weft Ikat (S) | X | X | X | |
| Dive Into Design – Surface Textures and Embellishing Felt (S) | X | X | X | |
| Dorset Buttons: A Heritage Craft (VS) | X | X | X | |
| Dye Your Own Fiber (W) | X | X | X | |
| Dye Your Own Yarn (W) | X | X | X | |
| E-weave Meets Deflected Double Weave (S) | X | X | X | Participants should have a rudimentary knowledge of both basic weaving terminology and computer use. |
| Ethnic Spinning: Slides from Norman Kennedy’s Scrapbook (S) | X | X | X | |
| Exploring Double Huck (VS) | X | X | X | |
| Exploring Symmetry Patterns (S) | X | X | X | |
| Exploring the Golden Proportion & Fibonacci Series (S) | X | X | X | |
| Fiber – Yarn – Fabric (S) | X | X | X | |
| Fibonacci Fudge Factor (S) | X | X | X | |
| Fine Zephyr Cowl on the Rigid Heddle Loom (W) | X | X | X | This class is for everyone; complete beginners, shaft-loom weavers who want to try the Rigid Heddle loom, and there will be lots of tricks and tips that are sure to please even experienced Rigid Heddle weavers. |
| The Hidden Language of Weaving Looms (S) | Cancelled | |||
| Homemade vs Handmade (W) | X | X | X | |
| Indigo: The Natural Way to Get the Blues (S) | X | X | X | |
| Intro to Inkle Weaving (S) | X | X | X | |
| Introduction to the Marvelous World of Computerized Drafting (S) | Cancelled | |||
| The Lattices of Kongo Gumi: 16-element Braiding on the Foam Disk (S) | X | X | X | |
| Life as a Production Weaver (S) | X | X | X | |
| The Magic Threading (S) | X | X | X | |
| The Mushroom Color Atlas (S) | X | X | X | |
| Mycology & Color: A Chromatic Universe of Mushroom Dyes (W) | X | X | X | |
| Mythbusting Indigo and Natural Dyes (S) | X | X | X | |
| Optical Effects with Log Cabin, Shadow Weave and Deflected Double Weave (VS) | X | X | X | |
| Oregon Flax & Linen: Then and Now (S) | X | X | X | |
| Pageantry of Japanese Textiles (S) | X | X | X | |
| Painted Warps (W) | X | X | X | |
| Parallel Paradox – The Corris Effect (W) | X | X | X | Participants should have a rudimentary knowledge of both basic weaving terminology and computer use. |
| Poetic Thrift: Drawstring Bag from Precious Scraps (W) | X | X | X | |
| Polychrome Crackle (S) | X | X | X | |
| Printing with Mordants and Natural Dyes (W) | X | X | X | |
| School of Weaving Meet-up, Q&A (VS) | X | X | X | |
| Shaker Textiles with an Emphasis on Rugs (S) | X | X | X | |
| Slow Stitch: Sashiko Patch (S) | X | X | X | |
| Soft, Supple & Stylish – Thimbleberry Felt Designs (S) | X | X | X | |
| Take Your Turn & Draft Your Dream Team (S) | Cancelled | |||
| Thread Plying Techniques (S) | X | X | X | Beginners should be able to spin singles (balanced and/or thick and thin) & 2-ply |
| Traditional Screenprinting (S) | X | X | X | |
| Tsujigahana: A Marriage of Shibori and Hand-Painting Techniques (W) | X | X | X | |
| Versatile Summer & Winter (S) | X | X | X | |
| Warp Painting for Weavers (W) | X | X | X | |
| Weavers of Sabahar (VS) | X | X | X | |
| Weaver’s Whimsy – Weaving For Fun (S) | X | X | X | |
| What’s Sprang, and What Can You Do With It? (VS) | X | X | X | |
| You Gotta Be Warped to Weave – Warping from the Back with Grace and Ease (S) | X | X | X | |
| Beginning Pine Needle Baskets (W) | X | |||
| Elegant Nuno Stole (W) | X | |||
| 4 – Layer Fun (W) | X | X | Student should be able to read a draft and thread a loom | |
| Acadian Weaving (W) | X | X | Student should be able to warp a loom independently | |
| Combining Common Cotton (W) | X | X | ||
| Doubleweave Diversity (W) | X | X | No doubleweave experience necessary; must be able to warp a loom according to instructions. | |
| Intro to 3D Needle Felting – My Lil Gnomies (W) | X | X | Suitable for beginners and those with some needle felting experience. Suitable for 12 and over with adult. | |
| Needlefelting Stained Glass Coasters (W) | X | X | Suitable for beginners and those with some needle felting experience. This class is suitable for 12 and over with an adult. | |
| What Rigid Heddle Loom is Best for Me? (S) | X | X | ||
| An Introduction to Network Drafting (S) | X | |||
| Cedar Crossbark (W) | X | |||
| Diving into Double Two-tie (W) | X | |||
| Echoes & Iridescence: Designing Rainbows (S) | X | Should understand basic drafting and be familiar with common weaving terms; having at least paged through the book Weaving With Echo & Iris would be helpful. | ||
| FEAST – Art Yarn Spinning (W) | X | |||
| Mini Cedar Basket (W) | X | |||
| Roving Reveal – Structures (S) | X | |||
| Shaker Linens (W) | X | Student should be able to warp a loom independently | ||
| Simply Satin (S) | X | Should understand drafting; having some software experience would be good but not required. | ||
| Tailoring a Handwoven Jacket (W) | X | |||
| Designing Layers (W) | X | X | Student should be fairly proficient in basic drafting and have some experience using weaving software | |
| X | X | Students MUST have ply-splitting experience and know the difference between a quarter twist and a half twist, and the POT and SCOT structures. | ||
| Polychrome Crackle: Color Kaleidoscope (W) | X | X | ||
| Signature Blocks: Extraordinary Overshot (W) | X | X | Must have basic knowledge of the overshot structure and be able to design an overshot project with a given draft. | |
| Spinning Beehive Coils (S) | X | X | ||
| Weaving in a Parallel Universe (W) | X | X | ||
| Multiple Warp Design (S) | X |