{"id":24334,"date":"2025-05-09T16:53:48","date_gmt":"2025-05-09T23:53:48","guid":{"rendered":"https:\/\/anwgconference.org\/?page_id=24334"},"modified":"2025-06-21T12:17:49","modified_gmt":"2025-06-21T19:17:49","slug":"jr13-singing-colors","status":"publish","type":"page","link":"https:\/\/anwgconference.org\/archive\/2025\/jr13-singing-colors\/","title":{"rendered":"Singing Colors"},"content":{"rendered":"\n

Carol Berry, Whatcom Weavers Guild, Bellingham, WA<\/h2>\n\n\n\n

Winner: The Virginia Harvey Award \u2013 Best Use of Design in a Woven Work, sponsored by Seattle Weavers Guild<\/p>\n\n\n\n

Material & Technique<\/strong>: Plain weave rep; Indigo resist dyed shifted warp center section, 6\/2 organic cotton. Ferrous sulfate Indigo vat. Warp side sections measured from bobbins left over from other projects, 8\/2 cotton and 22\/2 cottolin yarns. Weft is black 16\/2 cotton and cotton string yarn. Each mat is woven in a di\ufb00erent rep block pattern. 24 epi. 4-shaft countermarche floor loom.<\/p>\n\n\n\n

Description<\/strong>: These placemats are part of a series of 6 inch wide 6\/2 cotton indigo Ikat resist warps, shifted in various ways and combined with other yarns, hand painted, and immersion dyed with natural dyes, and some with commercially dyed yarns. The classic blue and white indigo coordinates and “sings” with the random width stripes from the “bobbin busting” yarns of the side panels. Weaving rep allowed for a di\ufb00erent block pattern on each placemat.<\/p>\n\n\n\n

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Carol Berry, Whatcom Weavers Guild, Bellingham, WA Winner: The Virginia Harvey Award \u2013 Best Use of Design in a Woven Work, sponsored by Seattle Weavers Guild Material & Technique: Plain weave rep; Indigo resist dyed shifted warp center section, 6\/2 organic cotton. Ferrous sulfate Indigo vat. Warp side sections measured from bobbins left over from… Read More »Singing Colors<\/span><\/a><\/p>\n","protected":false},"author":162,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[],"tags":[],"class_list":["post-24334","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/pages\/24334","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/users\/162"}],"replies":[{"embeddable":true,"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/comments?post=24334"}],"version-history":[{"count":5,"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/pages\/24334\/revisions"}],"predecessor-version":[{"id":26367,"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/pages\/24334\/revisions\/26367"}],"wp:attachment":[{"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/media?parent=24334"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/categories?post=24334"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/tags?post=24334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}