{"id":24297,"date":"2025-05-09T14:35:58","date_gmt":"2025-05-09T21:35:58","guid":{"rendered":"https:\/\/anwgconference.org\/?page_id=24297"},"modified":"2025-06-19T15:15:46","modified_gmt":"2025-06-19T22:15:46","slug":"jr07-tranquil-transition","status":"publish","type":"page","link":"https:\/\/anwgconference.org\/archive\/2025\/jr07-tranquil-transition\/","title":{"rendered":"Tranquil Transition"},"content":{"rendered":"\n

Sharon Schroeder, Missoula Weavers Guild &\u00a0Montana Assoc. of Weavers and Spinners, Missoula, Montana<\/h2>\n\n\n\n

Material & Technique<\/strong>: This rep weave table runner was inspired by Lucienne Coifman’s pattern “Double Steps” in her book Rep Rips Reps Weave. I elongated the pattern and dramatically changed the sett and colors to create a tranquil palette, using Astra 5\/2 cotton for warp and thin weft, plus 8\/16 mop cotton doubled for the thick weft. I sett the project at 40 epi. I finished the ends with cavandoli knots in warp thread colors. I wove this on my Louet Delta 8H floor loom.<\/p>\n\n\n\n

Description<\/strong>: I LOVE Rep Weave for so many reasons. It is a structure that can create a very utilitarian piece yet maintain an element of mystery. I find the use of blocks to make smooth color transitions magical. And Rep weave o\ufb00ers a chance to make subtle curves that you wouldn’t expect with a block weave. I also find using cavandoli knots provides a very tailored look and an additional point of interest, as opposed to a hem. The knots provide a mosaic of color that draws your eye gently into the fascination of the rep blocks.<\/p>\n\n\n\n

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Sharon Schroeder, Missoula Weavers Guild &\u00a0Montana Assoc. of Weavers and Spinners, Missoula, Montana Material & Technique: This rep weave table runner was inspired by Lucienne Coifman’s pattern “Double Steps” in her book Rep Rips Reps Weave. I elongated the pattern and dramatically changed the sett and colors to create a tranquil palette, using Astra 5\/2… Read More »Tranquil Transition<\/span><\/a><\/p>\n","protected":false},"author":162,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[],"tags":[],"class_list":["post-24297","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/pages\/24297","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/users\/162"}],"replies":[{"embeddable":true,"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/comments?post=24297"}],"version-history":[{"count":3,"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/pages\/24297\/revisions"}],"predecessor-version":[{"id":26115,"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/pages\/24297\/revisions\/26115"}],"wp:attachment":[{"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/media?parent=24297"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/categories?post=24297"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/tags?post=24297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}