{"id":21183,"date":"2024-09-11T12:17:38","date_gmt":"2024-09-11T19:17:38","guid":{"rendered":"https:\/\/anwgconference.org\/the-many-faces-of-dimity-and-historic-drafting\/"},"modified":"2025-09-16T15:53:17","modified_gmt":"2025-09-16T22:53:17","slug":"the-many-faces-of-dimity-and-historic-drafting","status":"publish","type":"page","link":"https:\/\/anwgconference.org\/archive\/2025\/seminars\/the-many-faces-of-dimity-and-historic-drafting\/","title":{"rendered":"The Many Faces of Dimity and Historic Drafting\u00a0"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"586\" height=\"500\" data-src=\"https:\/\/anwgconference.org\/archive\/2025\/wp-content\/uploads\/2024\/09\/DimityCollage-copy.jpg\" alt=\"\" class=\"wp-image-21282 lazyload\" data-srcset=\"https:\/\/anwgconference.org\/archive\/2025\/wp-content\/uploads\/2024\/09\/DimityCollage-copy.jpg 586w, https:\/\/anwgconference.org\/archive\/2025\/wp-content\/uploads\/2024\/09\/DimityCollage-copy-300x256.jpg 300w\" data-sizes=\"(max-width: 586px) 100vw, 586px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 586px; --smush-placeholder-aspect-ratio: 586\/500;\" \/><\/figure>\n<\/div>\n\n\n<p class=\"\"><\/p>\n\n\n\n<p class=\"\">The term dimity in the textile industry was introduced in the 1500s as a stout fabric, but the texture has changed over time to have a less dense set. Fabric with the name dimity is interpreted as having raised stripes. Dimity is an effect not a structure and can be achieved in multiple ways: using different size warp thread, differential denting and through the placement of floats. Four and more shaft patterns also can produce a dimity effect. <br><br>Historically, while Dimity is the most common weave found in counterpanes it is also found in other household fabrics as well as in clothing. In clothing dimity can be simple stripes or patterned stripes. <br><br>Examples of woven samples and drafts will be explored in class. Historic drafts will be discussed, including how to read a historic draft, different styles of drafting, weaving upside down or right side up and rising or sinking shed loom drafts. Participants are encouraged to bring examples of historic drafts.<\/p>\n\n\n\n<p class=\"\"><strong>Instructor:<\/strong> <a href=\"https:\/\/anwgconference.org\/archive\/2025\/pat-donald\/\" data-type=\"page\" data-id=\"20684\">Pat Donald<\/a><br><strong>When:<\/strong>\u00a0Friday AM<br><strong>Level: <\/strong>N\/A<br><strong>Categories:<\/strong> Weaving, Historical Textiles and Traditions<\/p>\n\n\n\n<p class=\"\"><strong>Supplies that students will bring: <\/strong>None<br><strong>Material Fee:<\/strong> N\/A<br><strong>Materials Included:<\/strong> N\/A<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The term dimity in the textile industry was introduced in the 1500s as a stout fabric, but the texture has changed over time to have a less dense set. Fabric with the name dimity is interpreted as having raised stripes. Dimity is an effect not a structure and can be achieved in multiple ways: using&hellip;&nbsp;<a href=\"https:\/\/anwgconference.org\/archive\/2025\/seminars\/the-many-faces-of-dimity-and-historic-drafting\/\" rel=\"bookmark\">Read More &raquo;<span class=\"screen-reader-text\">The Many Faces of Dimity and Historic Drafting\u00a0<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":21282,"parent":21351,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[32],"tags":[],"class_list":["post-21183","page","type-page","status-publish","has-post-thumbnail","hentry","category-seminars"],"_links":{"self":[{"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/pages\/21183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/comments?post=21183"}],"version-history":[{"count":5,"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/pages\/21183\/revisions"}],"predecessor-version":[{"id":26826,"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/pages\/21183\/revisions\/26826"}],"up":[{"embeddable":true,"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/pages\/21351"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/media\/21282"}],"wp:attachment":[{"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/media?parent=21183"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/categories?post=21183"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anwgconference.org\/archive\/2025\/wp-json\/wp\/v2\/tags?post=21183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}