{"id":3358,"date":"2022-08-04T04:18:02","date_gmt":"2022-08-04T04:18:02","guid":{"rendered":"https:\/\/anwgconference2023.com\/?page_id=3358"},"modified":"2023-03-30T18:05:55","modified_gmt":"2023-03-31T02:05:55","slug":"workshops-and-seminars-by-experience-level","status":"publish","type":"page","link":"https:\/\/anwgconference.org\/archive\/2023\/workshops-and-seminars-by-experience-level\/","title":{"rendered":"Workshops and Seminars by Experience Level"},"content":{"rendered":"\n
Title<\/th>Beginner<\/th>Intermediate<\/th>Advanced<\/th>Notes<\/th><\/tr><\/thead>
3-2-1: Designing Couture Tweeds<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
4-8 Weave!<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td>Participants should have a rudimentary knowledge of both basic weaving terminology and computer use.<\/td><\/tr>
4-8 Weave!<\/a> (W)<\/td>X<\/td>X<\/td>X<\/td>Participants should have a rudimentary knowledge of both basic weaving terminology and computer use.<\/td><\/tr>
8\/2 Cotton \u2013 Versatile, Beautiful and Inexpensive<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
An Exaltation of Blocks<\/a> (W)<\/td>X<\/td>X<\/td>X<\/td>Advanced Beginner to Intermediate and Advanced Weavers \u2013 have familiarity with drafting<\/td><\/tr>
Block & Tackle<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td>Adventure-seeking beginner through Advanced weaver<\/td><\/tr>
Bundle, Steam, Print! \u2013 Eco Print<\/a> (W)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Color and Design in Huck Lace<\/a> (W)<\/td>X<\/td>X<\/td>X<\/td>Advanced Beginner to Intermediate and Advanced Weavers \u2013 must know how to warp a loom, trouble shoot loom problems, and repair crossed warp threads.<\/td><\/tr>
Color Theory From the Fringe<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Crimp and Create<\/a> (W)<\/td>X<\/td>X<\/td>X<\/td>Adventurous beginner and beyond<\/td><\/tr>
Crimp Cloth Primer<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td>Adventurous beginner and beyond with basic understanding of drafting<\/td><\/tr>
Cutting Loose with Tied Weaves<\/a> (W)<\/td>X<\/td>X<\/td>X<\/td>Adventure-seeking beginner through Advanced weaver<\/td><\/tr>
Design Inlay Rag Rugs and More<\/a> (W)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Design Tricks: Moving Beyond the Recipe<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Designing Warp and Weft Ikat<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Dive Into Design \u2013 Surface Textures and Embellishing Felt<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Dorset Buttons: A Heritage Craft<\/a> (VS)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Dye Your Own Fiber<\/a> (W)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Dye Your Own Yarn<\/a> (W)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
E-weave Meets Deflected Double Weave<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td>Participants should have a rudimentary knowledge of both basic weaving terminology and computer use.<\/td><\/tr>
Ethnic Spinning: Slides from Norman Kennedy\u2019s Scrapbook<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Exploring Double Huck<\/a> (VS)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Exploring Symmetry Patterns<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Exploring the Golden Proportion & Fibonacci Series<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Fiber \u2013 Yarn \u2013 Fabric<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Fibonacci Fudge Factor<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Fine Zephyr Cowl on the Rigid Heddle Loom<\/a> (W)<\/td>X<\/td>X<\/td>X<\/td>This class is for everyone; complete beginners, shaft-loom weavers who want to try the Rigid Heddle loom, and there will be lots of tricks and tips that are sure to please even experienced Rigid Heddle weavers.<\/td><\/tr>
The Hidden Language of Weaving Looms<\/a> (S)<\/td><\/td><\/td><\/td>Cancelled<\/td><\/tr>
Homemade vs Handmade<\/a> (W)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Indigo: The Natural Way to Get the Blues<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Intro to Inkle Weaving<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Introduction to the Marvelous World of Computerized Drafting<\/a> (S)<\/td><\/td><\/td><\/td>Cancelled<\/td><\/tr>
The Lattices of Kongo Gumi: 16-element Braiding on the Foam Disk<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Life as a Production Weaver <\/a>(S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
The Magic Threading<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
The Mushroom Color Atlas<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Mycology & Color: A Chromatic Universe of Mushroom Dyes<\/a> (W)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Mythbusting Indigo and Natural Dyes<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Optical Effects with Log Cabin, Shadow Weave and Deflected Double Weave<\/a> (VS)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Oregon Flax & Linen: Then and Now<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Pageantry of Japanese Textiles<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Painted Warps<\/a> (W)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Parallel Paradox \u2013 The Corris Effect<\/a> (W)<\/td>X<\/td>X<\/td>X<\/td>Participants should have a rudimentary knowledge of both basic weaving terminology and computer use.<\/td><\/tr>
Poetic Thrift: Drawstring Bag from Precious Scraps<\/a> (W)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Polychrome Crackle<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Printing with Mordants and Natural Dyes<\/a> (W)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
School of Weaving Meet-up, Q&A<\/a> (VS)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Shaker Textiles with an Emphasis on Rugs<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Slow Stitch: Sashiko Patch<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Soft, Supple & Stylish \u2013 Thimbleberry Felt Designs<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Take Your Turn & Draft Your Dream Team<\/a> (S)<\/td><\/td><\/td><\/td>Cancelled<\/td><\/tr>
Thread Plying Techniques<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td>Beginners should be able to spin singles (balanced and\/or thick and thin) & 2-ply<\/td><\/tr>
Traditional Screenprinting<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Tsujigahana: A Marriage of Shibori and Hand-Painting Techniques<\/a> (W)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Versatile Summer & Winter<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Warp Painting for Weavers<\/a> (W)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Weavers of Sabahar<\/a> (VS)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Weaver\u2019s Whimsy \u2013 Weaving For Fun<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
What\u2019s Sprang, and What Can You Do With It?<\/a> (VS)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
You Gotta Be Warped to Weave \u2013 Warping from the Back with Grace and Ease<\/a> (S)<\/td>X<\/td>X<\/td>X<\/td><\/td><\/tr>
Beginning Pine Needle Baskets<\/a> (W)<\/td>X<\/td><\/td><\/td><\/td><\/tr>
Elegant Nuno Stole<\/a> (W)<\/td>X<\/td><\/td><\/td><\/td><\/tr>
4 \u2013 Layer Fun<\/a> (W)<\/td>X<\/td>X<\/td><\/td>Student should be able to read a draft and thread a loom<\/td><\/tr>
Acadian Weaving<\/a> (W)<\/td>X<\/td>X<\/td><\/td>Student should be able to warp a loom independently<\/td><\/tr>
Combining Common Cotton<\/a> (W)<\/td>X<\/td>X<\/td><\/td><\/td><\/tr>
Doubleweave Diversity<\/a> (W)<\/td>X<\/td>X<\/td><\/td>No doubleweave experience necessary; must be able to warp a loom according to instructions.<\/td><\/tr>
Intro to 3D Needle Felting \u2013 My Lil Gnomies<\/a> (W)<\/td>X<\/td>X<\/td><\/td>Suitable for beginners and those with some needle felting experience. Suitable for 12 and over with adult.<\/td><\/tr>
Needlefelting Stained Glass Coasters<\/a> (W)<\/td>X<\/td>X<\/td><\/td>Suitable for beginners and those with some needle felting experience. This class is suitable for 12 and over with an adult.<\/td><\/tr>
What Rigid Heddle Loom is Best for Me?<\/a> (S)<\/td>X<\/td>X<\/td><\/td><\/td><\/tr>
An Introduction to Network Drafting<\/a> (S)<\/td><\/td>X<\/td><\/td><\/td><\/tr>
Cedar Crossbark<\/a> (W)<\/td><\/td>X<\/td><\/td><\/td><\/tr>
Diving into Double Two-tie<\/a> (W)<\/td><\/td>X<\/td><\/td><\/td><\/tr>
Echoes & Iridescence: Designing Rainbows<\/a> (S)<\/td><\/td>X<\/td><\/td>Should understand basic drafting and be familiar with common weaving terms; having at least paged through the book Weaving With Echo & Iris<\/strong><\/em> would be helpful.<\/td><\/tr>
FEAST \u2013 Art Yarn Spinning<\/a> (W)<\/td><\/td>X<\/td><\/td><\/td><\/tr>
Mini Cedar Basket<\/a> (W)<\/td><\/td>X<\/td><\/td><\/td><\/tr>
Roving Reveal \u2013 Structures<\/a> (S)<\/td><\/td>X<\/td><\/td><\/td><\/tr>
Shaker Linens<\/a> (W)<\/td><\/td>X<\/td><\/td>Student should be able to warp a loom independently<\/td><\/tr>
Simply Satin<\/a> (S)<\/td><\/td>X<\/td><\/td>Should understand drafting; having some software experience would be good but not required. <\/td><\/tr>
Tailoring a Handwoven Jacket<\/a> (W)<\/td><\/td>X<\/td><\/td><\/td><\/tr>
Designing Layers<\/a> (W)<\/td><\/td>X<\/td>X<\/td>Student should be fairly proficient in basic drafting and have some experience using weaving software<\/td><\/tr>
Ply-Splitting: From Draw-downs<\/a> (W)<\/s> (Cancelled)<\/td><\/td>X<\/td>X<\/td>Students MUST have ply-splitting experience and know the difference between a quarter twist and a half twist, and the POT and SCOT structures.<\/td><\/tr>
Polychrome Crackle: Color Kaleidoscope<\/a> (W)<\/td><\/td>X<\/td>X<\/td><\/td><\/tr>
Signature Blocks: Extraordinary Overshot<\/a> (W)<\/td><\/td>X<\/td>X<\/td>Must have basic knowledge of the overshot structure and be able to design an overshot project with a given draft.<\/td><\/tr>
Spinning Beehive Coils<\/a> (S)<\/td><\/td>X<\/td>X<\/td><\/td><\/tr>
Weaving in a Parallel Universe<\/a> (W)<\/td><\/td>X<\/td>X<\/td><\/td><\/tr>
Multiple Warp Design<\/a> (S)<\/td><\/td><\/td>X<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Want to download the schedule and lists of classes, instructors, topics and experience levels? Look no further. You’ve found it!<\/a>Download<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Title Beginner Intermediate Advanced Notes 3-2-1: Designing Couture Tweeds (S) X X X 4-8 Weave! (S) X X X Participants … Continue reading Workshops and Seminars by Experience Level<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-3358","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/Pfrlhq-Sa","_links":{"self":[{"href":"https:\/\/anwgconference.org\/archive\/2023\/wp-json\/wp\/v2\/pages\/3358","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anwgconference.org\/archive\/2023\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/anwgconference.org\/archive\/2023\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/anwgconference.org\/archive\/2023\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/anwgconference.org\/archive\/2023\/wp-json\/wp\/v2\/comments?post=3358"}],"version-history":[{"count":20,"href":"https:\/\/anwgconference.org\/archive\/2023\/wp-json\/wp\/v2\/pages\/3358\/revisions"}],"predecessor-version":[{"id":7215,"href":"https:\/\/anwgconference.org\/archive\/2023\/wp-json\/wp\/v2\/pages\/3358\/revisions\/7215"}],"wp:attachment":[{"href":"https:\/\/anwgconference.org\/archive\/2023\/wp-json\/wp\/v2\/media?parent=3358"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}